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Strings

Master of Music (MM), Graduate Certificate (GCRT), Medico of Musical Arts (DMA)

Graduate Student Autumn Application Deadline

December ane

Graduate Application Requirements for Fall Access

This section is for all MM, GCRT, and DMA applicants including current USC students applying to the classical Strings program for the fall semester. Applications are not accepted for Spring admission to this programme. For applicants interested in Artist Diploma, please refer to the Artist Diploma requirements folio.

The USC Thornton School of Music is proud to offer the Los Angeles Orchestra Fellowship, a partnership with the Los Angeles Bedchamber Orchestra (LACO) and the Inner City Youth Orchestra of Los Angeles (ICYOLA). New students are not admitted to the Los Angeles Orchestra Fellowship every twelvemonth; the next time we anticipate admitting new Fellows will exist for the autumn 2023 semester. For years when there are openings in the Fellowship plan, Graduate Document (GCRT) applicants in Cello, Viola, or Violin from communities that are underrepresented in professional person orchestras are strongly encouraged to apply. To exist considered for the Fellowship, applicants must utilise for the Graduate Certificate (GCRT) program, indicate their interest in being considered for the Fellowship in the USC Thornton SlideRoom Awarding where prompted, and follow all of the GCRT application and audience requirements listed below. No additional fellowship application is required. A alive audition and interview volition be required of final-round candidates, which typically occurs in February. Some additional requirements may be communicated to final-round candidates later in the Fellowship selection process.

All applicants are required to submit two dissever application forms:

1. USC Awarding for Graduate Admission
2. Thornton's SlideRoom awarding form

The total application fee is $115 ($90 for the USC Graduate Awarding and $25 for the SlideRoom Media/Materials upload). All required materials must be received by December 1 . Application materials will not exist accepted via mail or email. If both required application forms are not submitted by the appropriate deadline, your application will exist removed from consideration.

Applicants experiencing hardship or extenuating circumstances due to natural disaster or public health concerns in their local area that may bear on their ability to satisfy application requirements may contact the Thornton Office of Admission at uscmusic@usc.edu to explore possible accommodations. Though we cannot guarantee that accommodations/exceptions will be possible, applicants are encouraged to contact the Access Part as presently as possible to allow the maximum amount of time to consider the options.

Applying For

Fall Access

Auditions Required?

Yes, 2 rounds

Questions?

Email: uscmusic@usc.edu | Phone: (213)740-8986

Complete the USC Application

Applicants must complete the USC Graduate Application and submit all other application materials required by the December 1st deadline.

USC Graduate Awarding Fee

The awarding fee for the USC Graduate application is $90. Awarding fee waivers are available to qualified applicants, and must be requested earlier submitting the USC Graduate Application. If you plan to apply for a waiver of the USC Graduate Awarding fee, please practise so at least two weeks earlier the awarding deadline . The deadline volition non be extended for applicants who neglect to request a fee waiver in time. Details and instructions tin be found hither.

Transcripts

All transcripts are due December 1st. Please carefully read the transcript requirements below.

Scans (PDF format) of official transcripts from all post-secondary institutions you have attended must be uploaded into the USC Graduate application. Official transcripts are issued by the registrar's function of each institution. Unofficial transcripts or documents printed from an on-line pupil system will not exist accepted. Failure to upload scans of official transcripts may significantly filibuster the release of a last access decision.

Please annotation that official transcripts must also be submitted separately to the USC Graduate Admission role post-obit the guidelines here.

Program Materials Section

When completing the USC Graduate application, it is of import to pay special attending to the following items that you volition find in the "programme materials" section of the application:

• Thornton SlideRoom portal – A link to admission the Thornton SlideRoom portal will be provided in this section.
• The Documents tab – Documents submitted in this section volition not exist accessible to the Thornton kinesthesia. Thornton kinesthesia will only be able to review documents submitted via the Thornton SlideRoom portal. In gild to complete this section, yous must check the box indicating that you lot practice not wish to upload documents in this section.
• The Questions tab – Enter your SlideRoom Confirmation number where indicated (y'all will receive your SlideRoom confirmation number upon submission of the SlideRoom form).

International Applicants

Click here for important boosted requirements and instructions.

Complete the SlideRoom Portfolio

All applicants must complete the Thornton SlideRoom portfolio by the Dec 1st deadline.

All Thornton supplemental materials must exist uploaded through SlideRoom, which you lot volition access through the link provided in the "Program Materials" department of the USC Graduate Application.

Applicants are highly encouraged to signal on the application whether they have a teacher preference for their studies at the Thornton School, understanding that last studio placements are determined for admitted students at the discretion of the section chair in consultation with private studio teachers.

SlideRoom Requirements

SlideRoom Application Portal

A link to the SlideRoom portal is located inside the USC Awarding for Graduate Admission, in the "Program Materials" Section.

The SlideRoom application fee is $25 (fee waivers are not available). Thornton supplemental materials will non be accepted via mail or e-mail.

The SlideRoom form must be submitted before the USC Application for Graduate Access (Applicants tin start both forms and piece of work on them at the aforementioned time). Once SlideRoom is submitted, you lot will need to enter your SlideRoom confirmation number into the "Questions" tab, likewise located in the "program materials" department of the USC Graduate application.

Prescreen Recorded Audition

All string applicants are required to submit an unedited video recording on the SlideRoom portal for prescreening purposes past the application borderline in order to receive an invitation to a live audition at USC. Audio recordings will not be accepted.

The results of the prescreening (as determined by the appropriate kinesthesia) will make up one's mind whether an applicant will be invited to campus to perform a live audition. Applicants who practise not provide the required prescreening materials past the stated deadline will not be considered for an invitation to audition in person.

All Graduate Double Bass applicants must include the post-obit on the prescreen recording:

1. Two contrasting movements of a standard double bass concerto or comparable works from the standard double bass repertoire
2. Three orchestral excerpts from the standard orchestral repertoire
3. Two movements of a solo Bach Suite in whatsoever key
4. A work or motility of a piece of work, preferably composed past a BIPOC composer (The Strings Department has compiled a list of works composed by Black, Indigenous, People of Color (BIPOC) composers as a resource for musicians. To view the listing, please click hither.)

All other instruments must include the following on the prescreen recording:

The submitted video recording for prescreening must comprise at to the lowest degree 20 minutes of music, which includes a movement of a Bach suite, partita, or sonata; plus one piece of work from the 19th century (a move of concerto, sonata, solo or concert slice are acceptable) and one work from the 20th or 21^st century (a movement of concerto, sonata, solo or concert slice are acceptable).

All music should exist performed from memory, except sonata/duo works or contemporary works equanimous subsequently 1970. All 20 minutes of music must have been recorded inside the last twelvemonth. Comments regarding the prescreening textile will not be released to the applicant.

Current USC Thornton students applying for a graduate program may not be required to submit an audience recording for the first round of consideration. Applicants may be immune to employ a recital or jury as their audition, and some cases might allow electric current Thornton students to make special arrangements for an audition in lieu of uploading a recording. Please check with your teacher or section chair before y'all submit the SlideRoom form to determine what is possible in your case. In all cases, electric current Thornton students must bespeak on the application that they are a current Thornton student or they may non accelerate to the 2nd round of consideration. Current Thornton students are encouraged to consult the special Application Requirements for Current Thornton Students, here. Questions most advancing to the live audience circular may be directed to your section chair or Kit Bellamy in the Thornton Admission office.

Résumé

The résumé should list musical, professional, and academic feel and is mostly 1-2 pages in length.

Repertoire List

This list should include works studied and performed. Etudes, scale studies, arias, art songs, sleeping accommodation music, solo pieces, and original compositions are all examples of what could be included in this listing.

Statement of Purpose (Optional)

Graduate applicants are encouraged to prepare a brief statement of their professional goals, likewise as their purpose in applying for the Strings plan. The Statement of Purpose is typically 1-2 pages in length.

Transcripts

All transcripts are due Dec 1st. Please advisedly read the transcript requirements below.

Scans (PDF format) of official transcripts from all postal service-secondary institutions you take attended must be uploaded into SlideRoom. Official transcripts are issued past the registrar's office of each institution. Unofficial transcripts or documents printed from an on-line student organization will not be accustomed. Failure to upload scans of official transcripts may significantly delay the release of a final access decision.

Please notation that official transcripts must also be submitted separately to the USC Graduate Admission part following the guidelines here.

Letters of Recommendation

i-3 recommendation letters are required from graduate Strings applicants. Recommendation messages are to be submitted online through the Thornton SlideRoom portal via the "References" section by December ane. We cannot guarantee the review of whatever material received after December i.

Doctoral Introductory Video (DMA only)

A "Doctoral Introductory Video" must be submitted through SlideRoom by Dec 1st.

USC Thornton recognizes that DMA and PhD graduates are expected not only to exist elite performers and scholarly experts in their fields, but also exceptional and versatile teachers, inspiring and innovative leaders, and consummate musicians with potent complementary skills. This is a tall order, and it necessitates a well-honed individualized academic portfolio. To this cease, USC Thornton requires every Doctoral student to declare, in addition to the major field, an bookish field and two constituent fields, i of which may exist a field outside of music. The purpose of this multidisciplinary arroyo is to back up each educatee'due south personal and artistic development in a manner that will be well-aligned with her/his professional person goals.

As a reflection of the individualized nature of the USC Thornton Doctoral programs, DMA and PhD applicants are required to submit a single-take, unedited, and preferably unrehearsed video of no more than 4 minutes, including a cursory personal introduction, a description of professional goals, and an explanation of how pursuing a DMA or PhD at USC Thornton will support the pursuit of those goals.

Perform Audition if Invited

The results of the prescreen will decide whether an bidder volition be invited to perform a live audience. Notice of the results of the prescreen audition will be sent to applicants via email in late December.

Applicants who are invited to perform a live audition will receive their prescreen decision and audition engagement details in the aforementioned email, in late December. Live auditions typically occur in belatedly January and early Feb. Please practice non make travel plans to audience at USC Thornton until you have received confirmation of your audition appointment.

Prospective students are strongly encouraged to visit our campus and live audience events tin can be the ideal opportunity for this kind of visit. We therefore encourage applicants to perform their live auditions in person on the USC campus. Applicants who live more than 100 miles from the USC campus and are unable to travel to Los Angeles for their live audience tin can bespeak their preference for an online audition on their Thornton awarding in SlideRoom. Applicants who live within a 100 mile radius of the USC campus are required to perform their alive audition in-person.

Live Audition Requirements

Master'southward of Music and Graduate Certificate:

Piano accompaniment is preferred, but not required. A suggested list of pianists available for hire (at the bidder's own expense) is available through the Strings function at the Thornton School: (213) 740-7702. Applicants must provide a re-create of piano scores to the pianist for the audition. All music should exist performed from memory, except sonata/duo works or contemporary works composed after 1960. The live auditions volition exist held in 20 minute increments, though the faculty console may make up one's mind that the student need non perform for the full xx minutes. The presiding faculty will determine the actual music performed at the audience, choosing from the list of repertoire prepared by the bidder, according to the requirements equally described below. Applicants with insufficient required repertoire may be disqualified at the discretion of the faculty console.

Information technology should be carefully noted that some members of the strings faculty may request private interviews and/or lessons in addition to the audition requirements detailed on this page in guild for the bidder to be given the fullest consideration for placement in their studios. Typically, these boosted meetings are scheduled around, just not during, the regular alive audition dates. All specific arrangements for these meetings are considered and finalized by the faculty members themselves. Thornton kinesthesia contact information tin be institute hither.

Violin

1. From J.South. Bach-Unaccompanied Sonatas and Partitas:
   • Two major movements and applicable doubles from the b minor Partita OR
   • The CHACONNE from the d pocket-size Partita OR
   • Three consecutive movements from the Eastward major Partita OR
   • Any fuga and other move from any of the three sonatas OR
   • Three consecutive movements from the d minor Partita
2. Ane complete major concerto (with applicative cadenzas)
3. 1 brilliant concert piece demonstrating virtuosity, such as a Paganini Caprice, Ysaÿe No. 6, or a work past Ernst.
4. A piece of work or movement of a work, preferably equanimous by a BIPOC composer (The Strings Section has compiled a listing of works composed past Black, Indigenous, People of Colour (BIPOC) composers every bit a resource for musicians. To view the list, please click here.)

Viola

1. Two contrasting movements from any Bach solo suite originally equanimous for cello or from a Bach sonata or partita originally composed for violin
2. A complete sonata or other duo work for viola and piano
3. A complete 20th century concerto (with applicable cadenzas) from the standard repertoire
4. A work or movement of a work, preferably composed by a BIPOC composer (The Strings Section has compiled a list of works composed by Black, Indigenous, People of Color (BIPOC) composers as a resources for musicians. To view the list, please click here.)

Cello

1. 1 piece of applicant's selection (must be a commercially published piece of work)
2. Two contrasting movements of an unaccompanied Bach suite
3. One complete concerto from the standard cello repertoire
4. A complete sonata or other duo work for cello and piano
5. A work or movement of a work, preferably composed past a BIPOC composer (The Strings Department has compiled a listing of works composed past Black, Indigenous, People of Color (BIPOC) composers every bit a resource for musicians. To view the list, please click here.)

Double Bass

1. Two contrasting movements of a standard double bass concerto or comparable works from the standard double bass repertoire
2. 3 orchestral excerpts from the standard orchestral repertoire
3. Two movements of a solo Bach Suite in any key
4. A work or movement of a piece of work, preferably composed by a BIPOC composer (The Strings Section has compiled a listing of works equanimous past Black, Indigenous, People of Colour (BIPOC) composers every bit a resource for musicians. To view the list, please click here.)

Harp

1. Two complete works comparable to the difficulty and scope of the Sonata of Hindemith or the Impromptu of Faure
2. Three standard orchestral excerpts

Doctor of Musical Arts:

For DMA applicants piano accompaniment is required (at the bidder's ain expense), unless there are extenuating circumstances due to COVID. If there is a reason that does not permit for piano accompaniment for your alive audition (whether live in person or live online), please contact the Chair of the Strings department, Lina Bahn (lbahn@usc.edu).

A suggested listing of pianists is available through the Strings part at the Thornton Schoolhouse: (213) 740-7702. All music should be performed from memory, except sonata/duo works and contemporary works. The live auditions will be held in 20 infinitesimal increments, though the kinesthesia panel may decide that the student demand not perform for the full 20 minutes. The presiding kinesthesia will determine the actual music performed at the audition, choosing from the repertoire list prepared by the applicant, according to the requirements as described beneath. Applicants with insufficient required repertoire may be disqualified at the discretion of the faculty console.

Information technology should be advisedly noted that some members of the strings faculty may asking private interviews and/or lessons in addition to the audition requirements detailed at this page in order for the applicant to be given the fullest consideration for placement in their studios. Typically, these boosted meetings are scheduled effectually, but not during, the regular alive audition dates. All specific arrangements for these meetings are considered and finalized past the faculty members themselves. Thornton kinesthesia contact information can be found here.

Violin

1. A complete unaccompanied Bach sonata or partita
2. One consummate work from the sonata or duo repertoire
3. One consummate major concerto piece of work (with applicative cadenzas)
4. One Paganini Caprice, or one unaccompanied Ysaÿe Solo Sonata, or one work by Ernst, or one brilliant concert piece demonstrating virtuosity.
5. A work or move of a work, preferably composed past a BIPOC composer (The Strings Department has compiled a list of works composed by Black, Ethnic, People of Color (BIPOC) composers as a resource for musicians. To view the list, please click here.)

Viola

1. One complete solo Bach suite, sonata, or partita
2. 1 complete concerto (with applicable cadenzas) from the standard repertoire
3. I complete major sonata for viola and piano.
4. One virtuoso work
5. A piece of work or movement of a work, preferably equanimous by a BIPOC composer (The Strings Section has compiled a list of works composed by Black, Ethnic, People of Color (BIPOC) composers as a resource for musicians. To view the listing, please click hither.)

Cello

1. One consummate concerto with applicable cadenzas
2. Ane complete Bach Suite
3. Four consummate, contrasting recital works, preferably including one work composed by a BIPOC composer (The Strings Department has compiled a list of works equanimous by Black, Indigenous, People of Color (BIPOC) composers as a resource for musicians. To view the list, please click here.)

Double Bass

1. 1 complete concerto with applicable cadenzas
2. Two contrasting movements from a Bach Suite.
3. 3 consummate, contrasting recital works, preferably including one work composed by a BIPOC composer (The Strings Department has compiled a list of works composed by Black, Ethnic, People of Color (BIPOC) composers every bit a resource for musicians. To view the listing, delight click hither.)

Harp

A full length recital with complete, contrasting works including one work written after 1970 (commercially published work), and a standard concerto with applicative cadenzas.

Graduate Bookish Access Test (DMA but)

DMA applicants to Strings must accept Thornton's Graduate Bookish Admission Test. The examination will be administered via an online platform on January fifteen, 2022 from 8:00 AM – 11:00 AM Pacific Standard Time. Applicants volition receive materials to exist reviewed in preparation for the examination near ii weeks prior to the exam date. Additional details will be sent in mid-Dec to those applicants who are required to take the test.

This written examination reflects the types of critical inquiry with which graduate-level courses at USC Thornton engage. The examination will exist assessed by academic faculty as a mensurate of an bidder's readiness for the academic rigors and multi-disciplinary construction of Thornton graduate programs. This assessment volition exist one of several important components considered past the faculty in order to reach a final admission decision for each applicant.

The test will be administered in ii sequential sections:

1. Conceptual Essay: Applicants will be given an essay prompt about an issue or issues in the music profession today. Applicants will be asked to write a short essay exploring diverse aspects of the topic(s) introduced by the prompt, responding to specific questions and cartoon on their own feel, cognition, and opinions as appropriate.
2. Belittling Essay: Applicants volition be given a scholarly/literary text on a music-related topic. Applicants will be asked to answer in essay course to a serial of belittling questions relating to the text provided. The analytical bug may business organization basic music theory (possibly with reference to a brusque example in musical notation), music history, and/or aesthetics.

Information technology is important to note that Thornton's Graduate Academic Admission Examination is non an examination for which students are generally able to study or prepare. Information technology is not designed to examine factual knowledge, but rather the ability to think analytically and express disquisitional thought in academic linguistic communication, as this is the type of work that is required for graduate-level academic courses at USC Thornton. While the content of Thornton's Graduate Academic Access Examination may be drawn from a wide range of scholarly sources, it may exist helpful to refer to the following publications by our own kinesthesia:

• Barrett, Janet & Peter Webster: The Musical Experience: Rethinking Music Teaching and Learning.
• Brown, Bruce: Due west. A. Mozart: Così fan tutte (Cambridge Opera Handbook)
• Demers, Joanna: Anatomy of Thought-Fiction: CHS Report, April 2214
• Foster, Kenneth J: Performing Arts Presenting: From Theory to Practice
• Gordon, Stewart: Beethoven'southward 32 Pianoforte Sonatas: A Handbook for Performers
• Nye, Sean. "Sprockets + Autobahn: Kraftwerk Parodies, German Electronic Music, and Retro Dreams in Amerika." In Dreams of Germany: Musical Imaginaries from the Concert Hall to the Dance Floor. Neil Gregor and Thomas Irvine, eds.
• Page, Tim: On Music: Views and Reviews
• Simms, Bryan: The Atonal Music of Arnold Schoenberg, 1908-1923
• Sloan, Nate. Switched on Popular (blog with Charlie Harding). http://world wide web.switchedonpop.com.

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Source: https://music.usc.edu/admission/appreqs/strings-graduate/

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